Liam Gillick, the Lucas Plan, and karaoke

Liam Gillick, the Lucas Plan, and karaoke

Liam Gillick for Bar Laika, 2019.

Bar Laika presents
Liam Gillick, the Lucas Plan, and karaoke
Date
August 1, 2019, 9pm
Bar Laika by e-flux
224 Greene Avenue
Brooklyn, NY 11238
USA

Bar Laika will close for a short summer vacation from August 14 through 25. For our last event before the break, join us this Thursday, August 1 at 9pm to celebrate Liam Gillick’s poster design for the B52 bus shelter on Greene Ave between Grand Ave and Classon Ave. This is the first in a year-long series of artist commissions of oversize posters for the bus shelter in front of the bar. Following the reception, we will screen The Story of the Lucas Aerospace Shop Stewards Alternative Corporate Plan.

Originally produced for the Open University by BBC TV in 1978, the film documents a remarkable development in the history of labor. In 1976, facing rationalization and redundancies, shop stewards at Lucas Aerospace approached Tony Benn, then Secretary of State for Industry in the UK Labour Government, to discuss their future in the context of Labour’s plans for nationalizing the aerospace industry. Benn, a high profile supporter of the Institute for Workers’ Control, suggested to the Lucas Shop Steward Combine Committee that they produce their own business plan. In drawing up their plan, the Combine approached employee representatives at all the Lucas Aerospace plants across the UK, as well as academics and other interested parties. They often highlighted products of medical or social use that had been abandoned in the aerospace conglomerate‘s focus on military contracts. Not only did the stewards explore potential products, but also looked at alternative organization of production, forms of organization that liberated rather than subordinated the human operative. When the “Lucas Plan” was published it quickly became recognized as an iconic document promoting “socially useful production,” but was dismissed by Lucas Aerospace management, trade unions (who attacked such shop steward combine committees as bypassing “official channels”), and the Labour Government, which had marginalized Benn and begun the move towards neo-liberalism.

The screening will be followed by karaoke, led by Liam Gillick.

All are welcome!
Cash bar.

For more information, contact laika@e-flux.com.

Category
Film

Liam Gillick is a New York-based artist known for contributions in sculpture, video, architecture, and text. His work focuses on the contemporary management of labor, time, and aesthetics extended through a distinctive conception of exhibition as a medium in its own right. His work is divided between abstraction based on social and political structures of the present and texts, films, and graphics that often appear to contradict and comment upon the apparent clarity of his structures. Rather than an earlier reliance upon geometry, systems, and subjective visions, Gillick’s abstract works are derived from the secondary structures emerging from an information-based society of renovation, negotiation, and discourse. A theorist, curator, and educator as well as an artist, his wider body of work includes published essays and texts, lectures, and curatorial and collaborative projects. Gillick’s work reflects upon conditions of production in a postindustrial landscape, including the aesthetics of economy, labor, and social organization. His work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neoliberal consensus, and extends into a structural rethinking of the exhibition as a form. He has produced a number of short films since the late 2000s which address the construction of the creative persona in light of the enduring mutability of the contemporary artist as a cultural figure: Margin Time (2012), The Heavenly Lagoon (2013), and Hamilton: A Film by Liam Gillick (2014). The book Industry and Intelligence: Contemporary Art Since 1820 was published by Columbia University Press in March 2016.

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